Paperback

William Burroughs

Burroughs_CoverPhoto
The William Burroughs paperbacks that I illustrated earlier this year along with Naked Lunch just arrived from the printers. Because the art director liked the style of the Silky Shark print in my portfolio for the initial Naked Lunch assignment, I continued the process using a silk screen-style approach and a limited palette throughout the sketches and finals. The Soft Machine, The Ticket That Exploded, and The Place of Dead Roads all followed the same process as Naked Lunch, including two or three layers of drawn tones, which I attempted to keep in tune with the style of each book and as a set. The final layouts and text were done by Jo Walker at Harper Collins and I think they did a nice job of pulling the artwork together. (Below is a bit of a process breakdown of the finished covers.)

Burroughs_CoverSketches
Initial sketches for The Soft Machine, The Ticket that Exploded, and The Place of Dead Roads (columns L to R respectively.)

Burroughs_CoverSketchRevisions
The selected sketches with some adjustments in the saturation and color to help balance out the group as a set.

SoftMachine_Inks1
Ink and brush on Bristol Board drawing for the Soft Machine shadows layer.

SoftMachine_Inks2
Ink drawing for the Soft Machine mid-tones layer.

SoftMachine_artwork
Finished colors on the background layer with some separations for black.

Finished cover illustrations and designs:
SoftMachine_jacket

TicketThatExploded_jacket

PlaceOfDeadRoads_jacket

NakedLunch_jacket