The Atlantic: Death and Mr. Pickwick


An illustration for The Atlantic review of Stephen Jarvis’s novel Death and Mr. Pickwick. A stark retelling of the circumstances connecting illustrator Robert Seymour and an ambitious 24 year old Charles Dickens, leading to a unprecedented fame for one and suicide for the other. Sketches for variations on the idea below, much thanks to AD Lauren Giordano for her faith in the unconventional  under-painting idea.

LAZARUS: Number Sixteen

Lazarus: Sixteen Lazarus #16 is on stands now. This issue is a bold vignette in the eye of the narrative hurricane by Rucka & Lark, and expands its format to include a wealth of journalistic design work by Eric Trautmann as well as a few interstitial illustrations by me.
Lazarus: Sixteen
Lazarus: SixteenAbove are some of the process steps from early thumbnails, sketches and an alternate for the third act piece with a more digital fragmenting effect that was a fun experiment. Massive credit due to Eric for tying all the pages together so well, and thanks again to Greg and Michael and the team for the invitation to be part of the issue.
Lazarus: Sixteen
In related news, the original inks for this issue's cover (and others) are now available through Splash Page Comic Art. It's incredibly nice to be in such good company there as well. LAZARUS: Number Sixteen

Maxim: The Last Patrol

Maxim: The Last Patrol I've enjoyed a daily drawing practice for many years now. I keep a journal that includes observation studies, practice with different pens, brushes, etc., from both digital and traditional sketchbooks, all collected on instagram over recent years. It's a valuable regimen for me, and definitely something I feel if it's missing as the close of the day draws near.

Daily Drawing sketches
So getting a call to take an observational/sketchbook approach to an editorial assignment was a nice collision of worlds. The assignment came from AD David Zamdmer at Maxim. The feature was about Major James Capers, who has been repeatedly passed over for the Medal of Honor despite exceptional service and many commendations during the Vietnam War.
Maxim: The Last Patrol
The composition sketches above went through a number of iterations as the direction shifted from a darker jungle composition to a more open clearing framing the figures. The final piece was executed in the spirit of observational field sketches from a host of reference and documentary research, and drawn using a combination of Kyle Webster's great Photoshop drawing brushes. Maxim: The Last Patrol

Lazarus: Fourteen

Lazarus Fourteen
Lazarus issue Fourteen arrives on stands this week and, with it, Greg Rucka and Michael Lark bring us further into the Conclave arc and the ever tightening situation on Triton One. For a glimpse at the excellent sequential work by Lark, Boss & Arcas, Comicosity has a preview of the issue.

Below are some of the development sketches that went into the cover. The inky night ocean scenes slowly shifted further underwater, hinting at some darker discoveries below the surface for the final cover illustration.Lazarus Fourteen Sketches

The New Yorker: Gone Girl

The New Yorker: Gone Girl
I was out of town when I got the call asking about illustrating a piece on David Fincher's upcoming Gone Girl for The New Yorker, but by the time I was halfway through the walls-closing-in noire trailer I realized this was one of those assignments I was already sketching out ideas without having even said yes.
The New Yorker: Gone Girl
The great public specter looming over Affleck's character struck me as the stuff of great pulp covers, so the sketches began to take a turn towards the more theatrical devices of Norman Rockwell's "Razor's Edge" and Allesandro Biffignandi's "The Day the Sky Exploded." Ultimately, Rene Peron's graphically brilliant work on "The Passion of Joan of Arc," set the tone for the homage to the great pulp classics and cinema posters.The New Yorker: Gone Girl
The issue hits stands this week, and Christoph Niemann's cover is brilliant. Thanks as always to AD Chris Curry.